Kamis, 23 Desember 2010

CALL AND TEACHING 1

Vol 24, No. 2 (January 2007)

Face-to-face and Computer-mediated Peer Review in EFL Writing

Mei-ching Ho
The Arizona State University
Sandra J. Savignon
The Pennsylvania State University
Abstract:
This paper examines the use of face-to-face peer review (FFPR) and computer-mediated peer review (CMPR) in an Asian English-as-a-foreign-language (EFL) academic writing context. The participants were 33 English majors from a university of science and technology in Taiwan, a new type of school offering 2-year associate degree programs in foreign language studies. Our study contributes to the research on foreign-language-writing collaboration for Chinese learners in two important ways. First, many investigations of FFPR have looked at Chinese learners either in English as a second language (ESL) settings or at 4-year universities. Few have considered Chinese learners at 2-year colleges in EFL contexts. Second, there has been very little documentation of CMPR using annotation features in common word processing software in either ESL or EFL settings (Honeycutt, 2001). This study investigates the attitudes of 2-year college students in Taiwan toward the use of FFPR and CMPR in composition classes.Pedagogical implications are also drawn.
KEYWORDS
Face-to-face Peer Review, Computer-mediated Peer Review, Second Language Writing, EFL Learners.

CALL AND TEACHING 2

Vol 21, No. 1 (September 2003)

Foreign Language Productivity in Synchronous Versus Asynchronous Computer-mediated Communication

LUISA C. PEREZ
Emporia State University
Abstract:
This study investigates language productivity in a foreign language learner output obtained via two different modes of computer-mediated communication (CMC): asynchronous (email dialog journals) and synchronous (chatroom sessions). The research questions to be answered in the study were: (a) Which form of CMC, synchronous (chatroom activities) or asynchronous (email), would be more effective in increasing language productivity in foreign language learning? And (b) Which form of CMC would participants prefer? A within-subject design was used in the study with 24 participants who were studying first semester Spanish with one instructor. Participants emailed a dialog journal in Spanish to their instructor every Tuesday during the semester and they also attended the chatroom every Thursday to chat with their instructor and with each other in Spanish. Students met in the conventional classroom three times a week and via CMC on Tuesdays and Thursdays. The researcher tallied how many new vocabulary wordsparticipants produced in the email journals as opposed to new vocabulary words produced in chatroom sessions. (The researcher counted only those words that did not appear in the textbook or had been taught in class.) Results showed that there were no significant differences between the two CMC modes. However, a higher number of words were produced in the chatroom discussions than in the email messages. Fifty percent of the students preferred electronic mail and the other 50% were more inclined towards chatroom sessions. The author concluded that both techniques had benefits for vocabulary enrichment and productivity and that both tools enhanced the language acquisition process.

CALL AND TEACHING 3

Vol 22, No. 3 (My 2005)

CMC Technologies for Teaching Foreign Languages: What�s on the Horizon?

PETER A. LAFFORD
BARBARA A. LAFFORD
Arizona State University
Abstract:
Computer-mediated communication (CMC) technologies have begun to play an increasingly important role in the teaching of foreign/second (L2) languages. Its use in this context is supported by a growing body of CMC research that highlights the importance of the negotiation of meaning and computer-based interaction in the process of second language acquisition (SLA) (Chapelle, 1998; Payne & Whitney, 2002). Recent research has also pointed out the importance of situated cognition (Brown, Collins, & Duguid, 1989) and the use of task-based
activities (Doughty & Long, 2003) to allow students to acquire language in meaningful contexts for specific purposes. In this paper, various CMC technologies will be described and critically evaluated for their possible applications in task-based foreign language learning activities. First, general issues of connectivity will be defined and discussed (e.g., wired, wireless, and infrared technologies; dial-up vs. broadband, etc.). Then various asynchronous and synchronous CMC
technologies will be described and evaluated, pointing out their strengths and drawbacks for use in a L2 learning environment. The authors then compare and contrast the use of a task-based language-learning activity within wired versus wireless environments. The paper concludes with an overall discussion that focuses on the challenges facing the implementation of these technologies (e.g., accessibility, compatibility, financial considerations), some possible solutions to those problems, and some speculation about future uses of these technologies to enhance the L2 learning experience.

CALL AND TEACHING 4

Vol 22, No. 3 (My 2005)


Using Computer-mediated Communication to Establish Social and Supportive Environments in Teacher Education

NIKE ARNOLD
University of Tennessee
LARA DUCATE
LARA LOMICKA
University of South Carolina
GILLIAN LORD
University of Florida
(Authors are listed in alphabetical order and contributed equally to this article.)

Abstract:
This article examines social presence in virtual asynchronous learning communities among foreign language teachers. We present the findings of two studies investigating cross-institutional asynchronous forums created to engage participants in online dialogues regarding their foreign language teacher preparation experiences in and out of the classroom. Both studies took placeduring Fall 2003 and were conducted between first-time teacher/graduate students in four methodology courses at three large state universities. In the first study, students participated in weekly online exchanges in the form of dialogue journals for reflective teaching. In the second study, students were provided with specific topics to address using a discussion board, related both to theoretical language learning issues as well as pedagogical classroom-related concerns. The data analyzed here consist of the contributions and responses submitted by all participants on their respective online forums. We analyze these data qualitatively using Rourke, Anderson,Garrison, and Archer�s (2001) framework in order to gain a better understanding of the element of social presence�specifically affective, interactive, and cohesive indicators as they occur during asynchronous online discussion. This study marks an important contribution to the literature as it examines how virtual discussion takes shape, how the notion of social presence is defined in these foreign language teacher communities, as well as the implications for language teacher education in computer-mediated communication.

CALL AND TEACHING 5

Vol 22, No. 3 (My 2005)

CMC as Written Conversation: A Critical Social-constructivist

View of Multiple Identities and Cultural Positioning in the L2/C2 Classroom

MARY E. WILDNER-BASSETT
University of Arizona
Abstract:
This article proposes a model for a critical social-constructivist (CS-C) approach to the use of computer-mediated communication (CMC) in language/culture education. CS-C theories emphasize a critical approach to social interactions, interpersonal relations, communication, and
the influence that these activities have on learning. I will use the model to explore the extent to which CS-C approaches, especially in relation to the principles of connectivism, impact postsecondary language and culture education and its effects on identities within the constraints
of a CMC institutional setting. Readers will participate in an exploration of new ways of thinking, learning, and teaching that emerge from the ecology of second language and culture classrooms integrated with CMC. There I have found the life experiences of learners and my own experiences as a teacher to be highly relevant to the learning processes at hand. I develop these explorations using global qualitative discourse-based analyses of selections from learner data produced in asynchronous CMC contexts over the course of 3 years. My focus is on the
learning of culture rather than on second language acquisition in a narrow sense. Language
learning and even language attrition are thematized in the learning ecologies that are my focus. This study does not, however, make any claims about language acquisition that are not mentioned in learners� own reflections. The data include written conversations produced in both English (often as the second language of the participants) and German (most often as a foreign language for the participants) using various platforms for asynchronous CMC interactions.

CALL AND TEACHING 6


Vol 3, No. 3 (March 1986)

CALL with Audio Output

John Collett


Abstract:
The need to include an audio component in CAI work in French is discussed, and an attempted solution is described in terms of a suite of programs designed to facilitate the creation and use of dictation practice materials. Pre-existing recordings can be used in the preparation phase, or
new recordings can be made as the program runs. An index of recordings is automatically updated. For each text a setting can be made to require exact punctuation or to tolerate punctuation differences when it is used. In student use of the program, useful features include: the option of instructions if needed; repetition of any phrase by pressing a single key; the progressive build-up on the screen of the complete and correct text, with those segments in which a student error occurred being highlighted; the option of repeating incorrectly answered segments at the end of the exercise; and of finally hearing and seeing the exercise; and of finally hearing and seeing the complete text simultaneously. Supplementary programs enable the inclusion of
accented letters and the production on screen of the correctly formatted text.

CALL AND TEACHING 7

Susana Sotillo 467
CALICO Journal, 22 (3), p-p 467-496. © 2005 CALICO Journal
Corrective Feedback via Instant Messenger
Learning Activities in NS-NNS
and NNS-NNS Dyads
SUSANA SOTILLO

Montclair State University

ABSTRACT
This exploratory study examines corrective feedback in native speaker-nonnative
speaker (NS-NNS) and NNS-NNS dyads while participants were engaged
in communicative and problem-solving activities via Yahoo! Instant Messenger
(YIM). As “negotiation of meaning” studies of the 1990s have shown, linguistic
items which learners negotiate in face-to-face (F2F) interaction seem to facilitate
their L2 development. This type of research has been successfully extended to
computer-mediated contexts. Recently, findings from second language acquisition
(SLA)-motivated research have shown that negative evidence or incidental
focus-on-form in communicative classrooms appears to encourage learner
awareness that often leads to successful uptake. Six research questions are addressed
in this study. They include the availability of error correction episodes in
NS-NNS and NNS-NNS online dyad work, type of corrective feedback provided
to L2 learners, category of errors, learner uptake or response, type of uptake, and
length of moves. Among the results of this exploratory study we find the following:
error correction episodes are available in an instant messaging context
and, in this context, more indirect corrective feedback that focuses primarily on
grammatical and lexical errors is provided to L2 learners. Also, simple moves
characterize these YIM error correction episodes, and there is evidence of successful
learner uptake.

CALL AND TEACHING 8

Language Learning & Technology
http://llt.msu.edu/vol14num1/liang.pdf
February 2010, Volume 14, Number 1
pp. 45–64
Copyright © 2010, ISSN 1094-3501 45
USING SYNCHRONOUS ONLINE PEER RESPONSE GROUPS IN EFL WRITING: REVISION-RELATED DISCOURSEMei-Ya Liang
National Central University

In recent years, synchronous online peer response groups have been increasingly used in English as a fore
ign language (EFL) writing. This article describes a study of synchronous online interaction among three small peer groups in a Taiwanese undergraduate EFL writing class. An environmental analysis of students’ online discourse in two writing tasks showed that meaning negotiation, error correction, and technical actions seldom occurred and that social talk, task management, and content discussion predominated the chat. Further analysis indicates that relationships among different types of online interaction and their connections with subsequent writing and revision are complex and depend on group makeup and dynamics. Findings suggest that such complex activity may not guarantee revision. Writing instructors may need to proactively model, scaffold and support revision-related online discourse if it is to be of benefit.

CALL AND TEACHING 9

305
CALICO Journal, 25 (2) Kerstin Lück
CALICO Journal, 25 (2), p-p 305-325. © 2008 CALICO Journal
Web-based Foreign Language Reading:
Affective and Productive Outcomes*

Kerstin Lück
University of California, Davis
ABSTRACT
This study aimed to investigate whether pedagogically guided web-based reading can improve skimming a
nd scanning significantly (i.e., increased productive outcomes) and whether it can enhance student participation and motivation (i.e., increased affective outcomes). Forty-six students enrolled in two German 3 classes at the high school level were selected. The participants read texts about German culture and politics. Qualitative and quantitative findings indicated that the students in the treatment group (Group A) increased their skimming and scanning performance significantly compared to the students
in the control group (Group B). Furthermore, the students in Group A were able to foster their reading skills
in such a way that they were able to use it with linear materials as well. Besides skimming and scanning, the students also increased their participation and motivation. Although the participants in Group B made some progress in the following
research period, their achievement remained significantly lower than that of the participants in the treatment group. These findings not only make clear that pedagogically
guided web-based instruction has a positive impact on foreign language reading skills, participation, and motivation, but they also support the argument that a variety of methods and approaches should be used and that traditional approaches alone should not dominate in foreign language instruction.

CALL AND TEACHING 10



Factors influencing the success of computer mediated communication (CMC) environments in university teaching: a review and case study
Andrew Tolmie and James Boyle
Department of Psychology, University of Strathclyde
Abstract
Despite its potential benefits, the effectiveness of CMC when used to support learning in higher education isvery variable, making it important to identify those factors which best predict successful implementations. A review of the literature from the past few years, presented in the first half of this paper, suggests that, consistent with Activity Theory (Leont'ev, 1978), the critical factors are those which provide a context and rationale for online communication by helping users to establish a shared purpose. However, generating empirical support for this hypothesis presents two kinds of methodological problem: specifying the methodsand measures necessary to discern the existence and impact of shared purpose; and dealing with the difficulties of making controlled comparisons in this area. The second half of the paper illustrates, via an implementation case study, something of how these methodological problems might be resolved, and presents evidence in favour of the central importance of shared purpose.

CALL AND LITERATURE 1



March 2007
Volume 10, Number 4

Contents  |   TESL-EJ Top

Teaching Literature in the Muslim World: A Bicultural Approach

Scott Alkire
San Jose State University, California, USA
<scott.alkiresjsu.edu>

Andrew Alkire
U.S. Department of State, Surabaya, Indonesia
<aalkireohlone.edu>

Abstract

Although most universities in the Muslim world publicly recognize and support the teaching of Western literature, the exploration of some Western literary themes (for example, self-determination, sexual liberation, and gender equality) is viewed negatively by authority figures as well as by some professors and students.
To reconcile this concern with Lewis's view that the mutual study of literature between Westerners and Muslims is essential (1993), it is proposed that the judicious selecting and teaching of bicultural literature (Western writers on the Muslim world and vice versa) can introduce Muslims to Western literature and its themes with a minimum of cultural conflict. This article summarizes attitudes towards foreign language learning and literature in Muslim societies, identifies cultural divides between Muslims and Western literature, shows how bicultural literature can help bridge these divides, and concludes with a suggested list of bicultural literary works.

Introduction

One of the remarkable qualities of Azar Nafisi's memoir Reading Lolita in Tehran (2003) is its passion for the kind of teaching of Western literature that can transform students' perceptions of their own lives and world. Unfortunately, it was Nafisi's refusal to conform to her country's norms and wear the veil that caused trouble for her in Tehran; authorities at the three universities where she worked either dismissed her or created conditions whereby she had no practical choice but to resign. The last teaching she did was to a small group of students who met at her home in secret.
Although most universities in the Muslim world publicly recognize and support the teaching of Western literature, the pedagogical/personal exploration of some Western literary themes (for example, self-determination, sexual liberation, and gender equality) is viewed negatively by authority figures as well as by some professors and students. These attitudes have caused scholars to propose restrictive strategies for the teaching of literature. They include selecting texts that convey "positive, moral and universal values" (Bin Mohamed Ali, 1999, p. 48), teaching "anticolonialist literature" (Zughoul, 1985, p. 24), and teaching literature "amorally" and with "free interpretation" to avoid alienating students (Al Maleh, 2005, p. 269).
To counterbalance these proposals with Lewis's belief that the mutual study of literature between Westerners and Muslims is required for "the unity of human culture" (1993, p. 128), and following the model set in Lewis's own pioneering work of bicultural literature (A Middle East Mosaic, 2000), it is proposed that the judicious selecting and teaching of West-Muslim bicultural literature can introduce Muslims to a wide range of Western literature and its themes with a minimum of cultural conflict and engage them personally as well. [1] This article summarizes attitudes towards foreign language learning and literature in Muslim societies, identifies cultural divides between Muslims and Western literature, shows how bicultural literature can help bridge these divides, and concludes with a suggested list of bicultural literary works. In keeping with Al Maleh's recommendation that English literature in the Arab/Muslim world be taught outside of a morally or culturally bound context, no specific pedagogical strategy is advocated.

Attitudes toward foreign language learning and literature in Muslim societies

From the expansion of Islamic power in the seventh century A.D. to the 1800s, Muslims "had very little inclination or need to engage in the study of languages other than Arabic" (Casewit, 1985, p. 4). Arabic was the language of religion (the Qur'an), of the hadith literature, and of the ruling elite everywhere in the Muslim world with the exception of Baghdad after 1534 (when it fell to the Ottoman Turks). As for literature, for medieval Muslims "the literature of an alien and heathen society could offer neither aesthetic appeal nor moral guidance. The history of these remote peoples, without prophets or scriptures, was a mere sequence of events, without aim or meaning" (Lewis, 1982, p. 75).
Foreign languages began to take on importance as European nations began to invade Muslim lands. France invaded Algeria in 1830, and Russia took the Emirate of Bukhara and other Central Asia territories beginning in the 1860s. Great Britain conquered Egypt and Iraq in 1882 and 1917, respectively. At first the Muslim ruling classes regarded foreign languages as a means to conduct business and unlock "the secrets of European technical superiority" for military purposes (Casewit, 1985, p. 5). Over time, however, many who learned the languages of the hated oppressors, especially at the expense of Arabic in non-Arab lands, were seen as collaborators, opportunists, or sycophants. In the words of Pakistan's nationalist poet, Muhammad Iqbal (1877-1938):
You have acquired and stored up knowledge from the strangers
And polished your face with its rouge;
You borrow luck from their ways
And I know not whether you are yourself or someone else!
Your mind is chained to their ideas;
The very breath in your throat plays on others' strings!
Borrowed converse pours from your lips,
Borrowed desires nestle in your hearts! . . . .

(Saiyidain, 1965, p. 21)
The introduction of Western literary works, in contrast, seems to have not provoked antagonistic feelings, perhaps because it appeared in translation. Western poetry, fiction, and (later) drama began to be published in Istanbul and Cairo in the mid-19th century. By the early 20th century, "great numbers of literary works had been published into Arabic, Persian, and Turkish, and a new literature was developing in all three languages, profoundly affected by European models" (Lewis, 1993, pp. 35-36). There were, however, restrictions on what was translated. Snir (2003) notes, "The dominance of Islamist discourse in the literary system during the last century was reflected through censorship and banning of books for religious considerations and for the harm they might do to public morality" (p. 82).
At the outset of the 20th century, attitudes toward foreign languages remained conflicted. By this time the British and French had built secular institutions of higher education in Muslim lands in which English or French were the primary languages of instruction. According to Sardar (1977), the goal was:
[S]imple and direct: to "civilize the native," to change his way of life. It was a package deal containing the deep-rooted seeds of Islam-Christendom conflict and the moral arrogance and "rational materialism" of nineteenth-century Europe. (p. 157)
Sardar notes that in the receiving cultures, some traditional scholars declare that "even to learn occidental languages amounted to a kind of surrender" (p. 157). Lewis (1982) sees Muslims taking at least some initiative in accepting Western ways: "At last Muslims were turning towards Europe, if not with admiration, then with respect, and perhaps fear, and paying it the supreme compliment of imitation" (p. 308). As for the reception of Western literature, by the 20th century:
The European forms of literature—the novel, the short story, the play, and the rest—are now completely adopted and absorbed. . . . Even the very texture of language has been affected, and some modern writing in Middle-Eastern languages, especially in newspapers, reads like a literal translation from English or French. (Lewis, 2002, p. 147).
After the defeat of the Ottoman Empire in 1918, the West began to facilitate the breakup of the Muslim world into smaller, Western-dominated states. Great Britain and France created mandate countries in the Middle East: Lebanon, Syria, Iraq, and Kuwait. The division of South Asia into India and Pakistan and the division of Southeast Asia into Malaysia, Singapore, Brunei, and Indonesia further divided Muslim societies. In the north, the newly formed Soviet Union continued Russia's firm control of Muslim lands in Central Asia and outlawed Islam. Elsewhere, most of the rest of the Muslim world remained under firm colonial rule. Yet the influence of the West—its languages, literature, and tradition of liberal thought—contributed to many Muslim independence movements. Nasr (1999) writes:
The new leadership educated in western ways employed European ideals to question the morality of colonialism . . . whereas the old elite had relied on Islam to resist colonialism. In the end the former approach proved more potent, as it paved the way for independence. (p. 579, emphasis added)
After World War II many Muslim countries became liberated from their colonial rulers. However, several came under the power of dictators supported (sometimes imposed) by the West for Cold War and capitalist purposes. Ironically, the resulting westernization of these countries led to the rise of Islamism, which in turn led to radical Islamic thought and open hostility toward the West. Esposito (1999) notes that Islamists "attribute the weakness of the Islamic world primarily to the westernization of Muslim societies, the penetration of its foreign, 'un-Islamic' ideas, values, and practices" (p. 683). Although the West assisted the Afghani mujahideen against the Soviet Union in the 1980s and Bosnian Muslims and Kosovar Muslims against the Serbs in the 1990s, because of the West's financial and political interests in Muslim lands and support of Israel, Western powers were still often viewed negatively, or at least suspiciously, in the Muslim world.
Today, in spite of their distrust and suspicion of the West ("learners are likely to have absorbed unfavourable attitudes towards native English speakers [or Westerners in general] from their social milieu" [Casewit, 1985, p. 15]), many Muslims share a corresponding, paradoxical desire to understand and join it. Millions of Muslims around the world want to learn English and are indeed doing so. Unfortunately, the ideological messages of much of what is broadcast, published, and recorded in English worldwide conflicts with the culture, values, and beliefs of many Muslims.

Cultural divides separating Muslims from Western literature

Scholars have identified two basic cultural divides that may separate Muslims from an appreciation of Western literature: imperialistic and religious/moral.
Imperialistic divides exist with literature that is U.S.- or Eurocentric in relation to people of developing nations. Such literature may be uninformed or prejudiced regarding Muslims. Zughoul (2000), in his discussion of Mark Twain's Innocents Abroad, writes that "Islamophobia" has existed in English literature "throughout the ages" (p. 85). Said (1978) discusses several Western authors whom he considers U.S.- or Eurocentric in their views of Muslims. (See Orientalism)
Religious/moral divides are encountered with literature that exists outside of the "code of life based on the holy Qur'an and the precedents (sunnah) and sayings (ahadith; singular, hadith) of the Prophet" that is "enshrined in religious law (shari'ah)" (Casewit, 1985, p. 9). Al Maleh writes that Arab/Muslim teachers follow "a self-imposed censorship . . . when it comes to assigning reading material or ordering textbooks. Books with radical or highly controversial subjects are quickly excluded; no Waiting for Godot, no Lady Chatterley's Lover are ever considered, to mention just two examples" (p. 272). In her study of Kuwaiti students of English language and literature, Haggan (1998) finds that the students had a "considerable unease regarding some of the material they had to read, in spite of a fairly exacting standard of censorship . . . " (p. 85) (italics added). Indeed, religious/moral divides may exist even at the level of simple discourse: for example, Arabic is rich in pious exclamations and references to God ("God bless you," "Praise be to God," "If God wills") and English is not. In response to such concerns, Al Maleh recommends training students "to read the 'foreign' text cross-culturally" so that they can "bestride the cultural divide, and traverse moral controversy" (pp. 269-70).
In accordance with one of the controlling ideas of Lewis's anthology of West-Muslim writings (A Middle East Mosaic, 2000), this article proposes that the literature most successful in helping students "bestride the cultural divide" is bicultural literature—namely, gifted, often expatriate Western writers exploring the Muslim world and similarly gifted, usually immigrant Muslim writers exploring the West.

Three bicultural works: The Gallery, Arabian Sands, and Foreigner

The following excerpts are from bicultural works that address, navigate, or put into context West-Muslim divides. The first excerpt, from John Horne Burns's WWII novel The Gallery, shows an awareness of the fact that one of the primary divides between the West and the Muslim world is imperialistic:
—When I see an Ayrab child watching the chocolate bar in my hand, something tears at me.
—It should. You're arriving at the focus of the modern world. People are killing one another right and left. The newspapers don't say why. It's very simple. There's an unfair distribution of the world's goods . . . . We're heading either for world socialism or complete destruction.
—You mean I'm not crazy when I feel like crying all the time?
—You're hopelessly sane. Most people have to go to the movies to bawl. A few do it over the life they see around them . . . . The only advancement made by the human race is because some guy discovered pity. He found out that everyone was really quite like himself, with unimportant differences. We all must die alone. And we start dying with our birth. And a thousand years from now we'll all look equally silly: the movie star, the Ayrab whore, the financier, and the hustler . . . . If only we could publicly acknowledge our silliness for the few years that we are alive, we could then pool whatever dignity we possess. Then life would be worth living for all, instead of for the few.
(Burns, 1947, p. 157, ellipses the author's)
The second excerpt, from the travel narrative Arabian Sands by Wilfred Thesiger, summarizes the Arab tribesmen's concept of government:
Arabs rule but do not administer. Their government is intensely individualistic, and is successful or unsuccessful according to the degree of fear and respect which the ruler commands, and his skill in dealing with individual men. Founded on an individual life, their government is impermanent and liable to end in chaos at any moment. To Arab tribesmen this system is comprehensible and acceptable, and its success or failure should not be measured in terms of efficiency and justice as judged by Western standards. To these tribesmen security can be bought too dearly by loss of individual freedom. (Thesiger, 1959, pp. 46-47)
The third excerpt, from Nahid Rachlin's novel Foreigner, contrasts a Westernized Muslim's lack of faith on a trip back to her home country, Iran, and a Qur'anic Muslim's strong faith. The novel explores in part the distance between westernized Muslims and Qur'anic Muslims.
    We passed through a corridor and entered another courtyard where a simple beautiful mosque stood. I could see men and women lined up in separate chambers inside, praying.
    "Do you want to join them?" Mahmood Majid whispered.
    I shook my head.
    "You never pray, do you?"
    "No, do you?"
    "I did even when I was in the United States. It makes you stop everything a few times a day, be alone with yourself."
    "I wish I could pray," I said, believing it at the moment.
(Rachlin, 1978, p. 124)
These works, in their intelligence, sensitivity, and dual awareness of Western and Muslim cultures, offer the Muslim reader a door to inhabiting them that monocultural Western works may not. Indeed, scholars such as Said (1978), Zughoul (1985, 1986, 2000), and Haggan (1998) have shown how many (monocultural) Western works present considerable barriers to comprehension and appreciation by Muslim readers. The relative popularity of bicultural writers such as Nahid Rachlin, Paul Bowles, and Azar Nafisi in the Muslim world is linked to their ability to knowledgeably explore West-Muslim cultural divides and commonalities.

Suggested bicultural literature for Muslims

Most of the following literary works are explorations of the Muslim world by Western writers and vice versa. This does not necessarily mean that Muslim and/or Western themes are at the forefront of all of the works—only that the two worlds, Muslim and West, co-exist in artistic expression.
In general the texts are written in contemporary, jargon-free, concise, and concrete English, qualities important to third-world language learners. [2] Thematically they are disparate, in accordance with one school of thought in contemporary Islamic pedagogy:
The best method that the teacher can adopt in order to save students from being influenced by one author or the other is to make students proceed through the works of different writers who are at variance with each other. The teacher and students can then objectively explore the moral frameworks of different writers and find how conflicting their judgements and realizations are. At the same time it will be a highly instructive exploration for students if they are trying to find out how in spite of the variety of realizations these writers have been able to present truthful images about Man in various situations. (Husain & Ashraf, 1979, pp. 102-103)
AFGHANISTAN

Caravans, James A. Michener (1961, 448 pp.)
Novel. An account of an American woman, married to an Afghan engineer, who goes missing in Afghanistan.
Under a Sickle Moon: A Journey Through Afghanistan, Peregrine Hodson (1986, 240 pp.)
Non-fiction. A report by a British journalist who, disguised as a native, travels with a band of mujahideen resistance fighters in northeastern Afghanistan during the Soviet invasion.
The Places in Between, Rory Stewart (2004, 299 pp.)
Non-fiction. A record of a trek from Herat to Kabul after the fall of the Taliban.
AFRICA

The Gallery, John Horne Burns (1947, 392 pp.)
Novel. Vignettes of the experiences of American servicemen abroad in WWII, many in the Muslim world of North Africa.
The Spider's House, Paul Bowles (1955, 432 pp.)
Novel. Through the character of Amar, the Moroccan-Muslim protagonist of the novel, an exploration of what Western civilization has lost by discarding religion as a social and cultural foundation.
The First Man, Albert Camus (1996 [1960], 272 pp.)
Novel. Camus's last work, a remembrance of his coming of age in Algeria.
The Coup, John Updike (1978, 318 pp.)
Novel. An American-educated African leader attempts to lead his nation to Islamic purity.
A Bend in the River, V. S. Naipaul (1979, 288 pp.)
Novel. A Muslim Indian merchant in East Africa experiences the limitations of faith in a society undergoing rapid changes.
Angry Wind: Through Muslim Black Africa by Truck, Bus, Boat and Camel, Jeffrey Tayler (2005, 256 pp.)
Non-fiction. An account of crossing the Sahel, the Saharan borderlands of Chad, Nigeria, Niger and Mali.
BANGLADESH

The Tortured and the Damned, Robert Payne (1977, 427 pp., OP)
Novel. How the systematic decimation of a people led to the uprising and the creation of a new democratic state.
CAUCASUS

Hadji Murad, Leo Tolstoy (1910, 192 pp.)
Historical novel. An account of the devout Muslim and Chechen warrior Hadji, set during the 1851-52 Russian-Chechen wars.
Ali and Nino, Kurban Said (1937, 237 pp.)
Novel. In Azerbaijan during WWI and the Russian Revolution, a young Tartar and Shi'ite Muslim, Ali, rejects social convention by marrying his childhood friend, Nino, a Georgian Christian.
CHINA

Familiar Strangers: A History of Muslims in Northwest China, Jonathan N. Lipman (1997, 266 pp.)
Non-fiction. An overview of the 1,300-year history of Muslims in China, based on primary and secondary sources in various languages.
EUROPE

Life Is a Caravanserai, Emine Sevgi Ozdanar (2000 [1991], 300 pp.)
Novel. Portraits of Turkish immigrants in post-WWII Germany.
Atlas of a Tropical Germany: Essays, 1990-1998, Zafer Senocak (2000, 142 pp.)
Non-fiction. Analyses of the sociocultural effects of guest workers, many from Turkey, in post-WWII Germany.
Leaving Home: Towards a New Millennium: A Collection of English Prose by Pakistani Writers, Muneeza Shamsie (ed.) (2002, 458 pp.)
Essays, memoirs, and stories set in Europe and North America as well as contemporary India and Pakistan.
Minaret, Leila Aboulela (2005, 288 pp.)
Novel. Najwa, an immigrant from Sudan who has suffered many losses, finds solace among Muslim women in a London mosque.
INDIA
A Passage to India, E. M. Forster (1924, 368 pp.)
Novel. The adventures of three English newcomers to India and the Indian with whom they cross paths.
Midnight's Children, Salman Rushdie (1980, 552 pp.)
Novel. An exploration of the Midnight's Children (children born in the first hour after the birth of India as a nation) and their leader Saleem Sinai.
INDONESIA

Country of Origin, Edgar du Perron (1935, 438 pp.)
Novel. Evocative remembrances of a childhood spent in West Java at the turn of the century.
The Ten Thousand Things, Maria Dermout (1958, 244 pp.)
Novel. A sensory portrait of life on an island in the Moluccas (Spice Islands).
The Year of Living Dangerously, Christopher J. Koch (1978, 296 pp.)
Novel. The experiences of Western journalists in Jakarta in 1965, shortly before the fall of Sukarno.
The Flame Tree, Richard Lewis (2004, 288 pp.)
Novel. A look at the culture of Indonesian Muslims through the eyes of a 12-year-old American boy who is the son of Christian missionaries.
IRAN

Foreigner, Nahid Rachlin (1978, 192 pp.)
Novel. An Iranian woman in exile in the U.S. returns to her homeland.
Garden of the Brave in War: Recollections of Iran, Terence O'Donnell (1980, 216 pp.)
Memoir. Observations of the everyday lives of villagers and townspeople in Iran.
Reading Lolita in Tehran, Azar Nafisi (2003, 343 pp.)
Memoir. The experiences of a professor teaching Western literature in post-revolutionary Iran.
Mirrors of the Unseen: Journeys in Iran, Jason Elliott (2006, 432 pp.)
Non-fiction. Impressions of Iran interspersed with commentary on Iranian history and culture.
IRAQ

Guests of the Sheik: An Ethnography of an Iraqi Village, Elizabeth Warnock Fernea (1965, 368 pp.)
Non-fiction. A narrative by an American who assumed the dress and sheltered life of a harem woman.
The Prince of the Marshes: And Other Occupational Hazards of a Year in Iraq, Rory Stewart (2006, 416 pp.)
Non-fiction. An account of post-invasion Iraq by a Coalition deputy commander.
MALAYSIA

Lord Jim, Joseph Conrad (1900, 362 pp.)
Novel. A seaman on a pilgrim ship bound for Mecca loses his courage when the ship appears to founder.
The Long Day Wanes: A Malayan Trilogy, Anthony Burgess (1964, 512 pp.)
Novel. Impressions of the natives and outsiders (Chinese, Indian, British, etc.) who made up pre-independence Malaya in the 1950s.
The Consul's File, Paul Theroux (1977, 209 pp.)
Fiction. Twenty stand-alone chapters told by an American consul sent to close down a consulate in a small Malaysian town in the 1970s.
MIDDLE EAST

Flaubert in Egypt: A Sensibility on Tour, Gustave Flaubert (1972 [1849], 240 pp.)
Non-fiction. Excerpts from Flaubert's diaries, letters, and travel notes that document his 1849 trip to Egypt and the Red Sea area.
Arabian Sands, Wilfred Thesiger (1959, 347 pp.)
Non-fiction. An account of the nomadic Bedouins of Southern Arabia.
The Alexandria Quartet, Lawrence Durrell (four vols.) (1962, 884 pp.)
Novel. A multidimensional investigation of modern love and the possibilities and limits of cross-cultural understanding, set in Alexandria before WWII.
At the Drop of a Veil, Marianne Alireza (1971, 275 pp.)
Memoir. The story of an American college student who marries a Saudi in 1943 and moves to Jeddah in 1945 to raise a family.
Motoring with Mohammed: Journeys to Yemen and the Red Sea, Eric Hansen (1992, 272 pp.)
Non-fiction. The story of a young American shipwrecked in 1978 on a deserted island in the Red Sea.
Gate of the Sun, Elias Khoury (2006 [1998], 475 pp.)
Novel. Portraits of Palestinians from all walks of life and their relationship to Israel.
A Middle East Mosaic: Fragments of Life, Letters and History, Bernard Lewis (2000, 496 pp.)
Non-fiction. A cross-cultural anthology of letters, diaries, and histories discussing travel, government, society, arts, and science in the Middle East and the West.
Palestine, Joe Sacco (2002, 288 pp.)
Graphic novel. A representation of the contradictions and tragedies of the Israeli-Palestinian conflict.
The Cairo House, Samia Serageldin (2003, 248 pp.)
Novel. A story of the lives of the privileged in Cairo in the 1950s and '60s and in exile in the West.
PAKISTAN

Train to Pakistan, Khushwanth Singh (1956, 181 pp.)
Novel. A gripping presentation of the impact of the partition of Pakistan from India in 1947.
Amritsar to Lahore: A Journey Across the India-Pakistan Border, Stephen Alter (2000, 214 pp.)
Non-fiction. A look at the lasting effects of the partition on the lives of ordinary people.
TURKEY AND THE BALKANS

Black Lamb and Grey Falcon, Rebecca West (1941, 1181 pp.)
Non-fiction. A historical and cultural exploration of former Yugoslavia.
The Towers of Trebizond, Rose Macaulay (1956, 288 pp.)
Novel. A whimsical portrayal of British travelers in Turkey in the 1950s.
Gallipoli, Alan Moorehead (1956, 400 pp.)
Non-fiction. A narrative of the British defeat at Gallipoli in WWI.
Blood Tie, Mary Lee Settle (1977, 386 pp.)
Novel. A group of Westerners in Turkey and their interactions with Turks form the genesis of this examination of cross-cultural understanding.
Scotch and Holy Water, John D. Tumpane (1981, 348 pp., OP)
Memoir. Wry observations of Turks and their culture by an American expatriate.
Birds Without Wings, Louis De Bernieres (2004, 576 pp.)
Novel. A re-imagining of life in Eskibahce, a small town in Anatolia, in the last days of the Ottoman Empire.
Pretty Birds, Scott Simon (2005, 368 pp.)
Novel. The story of two teenage girls during the siege of Sarajevo.
UNITED STATES

A World Between: Poems, Short Stories, and Essays by Iranian-Americans, Persis M. Karim, Mohammad Mehdi Khorrami (eds.) (1999, 224 pp.)
An anthology of stories, essays, and poems by more than 30 first- and second-generation Iranian Americans.
Post Gibran: An Anthology of New Arab American Writing, Munir Akash, Khaled Mattawa (eds.) (2000, 460 pp.)
A collection of fiction, drama, non-fiction, and poetry by 43 Arab-American writers.
Out of Place: A Memoir, Edward W. Said (2000, 336 pp.)
The famous Lebanese-American scholar's life story.
(GENERAL)

Among the Believers: An Islamic Journey, V. S. Naipaul (1982, 448 pp.)
Non-fiction. A record of a seven-month journey across the non-Arab Muslim world.
For Rushdie: Essays by Arab and Muslim Writers in Defense of Free Speech, Anouar Abdallah (ed.) (1994, 302 pp.)
Non-fiction. Reactions of Muslim writers to the controversy surrounding Salman Rushdie's novel The Satanic Verses.
Beyond Belief: Islamic Excursions Among the Converted Peoples, V. S. Naipaul (1999, 432 pp.)
Non-fiction. An account of Muslims living in non-Arab Muslim countries.

Conclusion

This article has summarized attitudes towards foreign languages and literature in Muslim societies and outlined the divides that may separate Muslims from an appreciation of Western literature. It has shown how bicultural literature can help bridge these divides, and has proposed a list of bicultural literary works.
Although levels of acceptance of Western literature fluctuate throughout the Muslim world, it is worth repeating Lewis's belief in the value of cross-cultural literary study: "the unity of human culture . . . requires such mutual study [of literature]. I stress the word 'mutual' " (1993, pp. 128-9). It is hoped that bicultural literature will promote this mutual study and understanding.

Notes

[1] SLA research is in agreement on using culturally and personally accessible texts with learners. Aebersold and Field (1997) suggest that two criteria for text selection are "(1) the cultural content of the works and (2) the relevance of the works to the lives of the students in the class" (p. 162). Collie and Slater (1987) state that "If the language of the literary work is quite straightforward and simple, this may be helpful but is not in itself the most crucial yardstick. Interest, appeal and relevance (italics added) are all more important" (p. 6). Finally, Harrison (1990) writes that "Much depends on the sensitive choice of texts, so that students can be enabled to move from their own immediate world, over time, to other imaginative worlds" (p. 52). All of these statements are critically relevant to the teaching of literature to Muslims, for whom Western literature and its themes can be culturally distant.
[2] Zaghoul (1986), in his research on English departments of the third world, states that it can be safely generalized that "the linguistic competence . . . of even the graduate from a Third World university does not enable him to make sense of a literary piece, let alone appreciate it. The student usually ends up glossing vocabulary items rather than studying literature for appreciation and analysis" (p. 7).

About the Authors

Scott Alkire has taught English as a Foreign Language for the Open Society Fund in the Czech Republic and Bosnia-Herzegovina. His articles have appeared in the International Journal of Foreign Language Teaching, English Teaching Forum, and ESL Magazine. He is currently teaching at San Jose State University.
Andrew Alkire has taught English as a Foreign Language for the U.S. Department of State in Surabaya, Indonesia. He is currently teaching at Ohlone College in California.


References

Aebersold, J. A., & Field, M. L. (1997). From reader to reading teacher: Issues and strategies for second language classrooms. Cambridge: Cambridge University Press.
Al Maleh, L. (2005). English literature and Arab students. Academic Exchange Quarterly, 9, 269-275.
Bin Mohamed Ali, H. M. (1999). Second language teaching and learning from an Islamic perspective. Muslim Education Quarterly, 16, 2, 47-54.
Burns, J. H. (1947). The gallery. New York: Harper & Row.
Casewit, S. D. (1985). Teaching English as a foreign language in Muslim countries. Muslim Education Quarterly, 2, 2, 4-24.
Collie, J. & Slater, S. (1987). Literature in the language classroom. Cambridge: Cambridge University Press.
Esposito, J. L. (1999). Contemporary Islam: Reformation or revolution? In J. L. Esposito (Ed.), The Oxford history of Islam (pp. 643-690). New York: Oxford University Press.
Haggan, M. (1998). Islam and learning English: The approach-avoidance dimension. ITL, 121-122 (Nov), 85-120.
Harrison, B. (1990). Culture, literature, and the language classroom. In B. Harrison (Ed.), Culture and the language classroom (pp. 45-53). London: The British Council.
Husain, S. S. & Ashraf, S. A. (1979). The discipline muse or the muse licentious? In S. S. Husain & S. A. Ashraf (Eds.), Crisis in Muslim education (pp. 92-103). Jeddah: King Abdulaziz University.
Lewis, B. (1982). The Muslim discovery of Europe. New York: W. W. Norton.
Lewis, B. (1993). Islam and the West. New York: Oxford University Press.
Lewis, B. (2000). A Middle East Mosaic: Fragments of Life, Letters and History. New York: Random House.
Lewis, B. (2002). What went wrong? Western impact and Middle Eastern response. New York: Oxford University Press.
Nasr, S. V. R. (1999). European colonialism and the emergence of modern Muslim states. In J. L. Esposito (Ed.), The Oxford history of Islam (pp. 549-599). New York: Oxford University Press.
Rachlin, N. (1978). Foreigner. New York: W. W. Norton.
Said, E. W. (1978). Orientalism. New York: Pantheon.
Saiyidain, K. G. (1965). Iqbal's educational philosophy. Sh. Muhammad Ashraf: Lahore, Pakistan.
Sardar, Z. (1977). Science, technology and development in the Muslim world. Atlantic Highlands, New Jersey: Humanities Press.
Snir, R. (2003). Modern Arabic literature and Islamist discourse: "Do not be coolness, do not flutter safety." Journal of Arabic and Islamic Studies, (2003-2004), 78-123.
Thesiger, W. (1959). Arabian sands. London: Penguin.
Zaghoul, M. R. (1985). Formulating objectives for the English departments in Arab universities. Dirasat: A Research Publication of the University of Jordan, 12 (3), 91-107.
Zaghoul, M. R. (1986). Restructuring the English department in third world countries: Alternative approaches for the teaching of English literature. IRAL, 25.3, 221-237.
Zaghoul, M. R. (2000). The emperor and the sultan in Mark Twain: How innocent were the "Innocents"? Journal of American Studies of Turkey, 11 (2000), 83-92.
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CALL AND LITERATURE 2

Articles From The Classical Teacher

Teaching Classical Literature Classically


The classical purpose for teaching literature is the same as the classical purpose for teaching anything: to cultivate wisdom and virtue so that the student is better able to know and enjoy God. Classical literature exposes the student to models of virtue. It also places demands on his intellect, thus developing his intellectual virtues. As the intellectual virtues are developed, the student’s capacity to know and understand facts, ideas, relationships, and persons is nurtured. Furthermore, classical literature cultivates what James Taylor and John Senior have called Poetic Knowledge.
Poetic knowledge is the type of knowledge children gain when they read, e.g. The Chronicles of Narnia or fairytales. It is an intuitive knowledge of the nature of things, but the reader may not always–or even often–be directly aware of what he is learning or how he is being nourished by it. Poetic knowledge removes the reader from the realm of pragmatism (love of power) and lifts him to the realm of genuine ideals (love of virtue). By presenting models of virtues, training the intellectual virtues, and nourishing poetic knowledge, classical literature cultivates wisdom and virtue in the student.
Poetry cannot, as Matthew Arnold fondly hoped, take the place of religion… What it can do–when fully understood and articulated-is to restore human feeling. It can become a discipline for that ordering of the soul that the Greeks called “Paideia.”
Dr. Louise Cowan

Because of the classical purpose for teaching literature, classical parents and educators are careful in their selection of what they and their students read. Young children should spend little time on books used to teach decoding letters (i.e. phonetics). Their minds are far beyond what their decoding can reveal to them. Therefore, it is imperative that parents and teachers read to children at a level beyond the child’s decoding skills. Children need to read or have read to them Bible stories, fairytales, folk tales, fables, mythology, legends, nursery rhymes, and good poetry.
Poetry will appeal to children sensually long before it speaks to them intellectually. Fine. Let them hear the music of Shakespeare even if they don’t understand the words. As soon as possible children should be hearing or reading Homer, Virgil, Ovid, Dante, the King James version of the Bible (for literary, not theological, reasons), Shakespeare, Chaucer, and other genuine classics. If these books seem too hard, slow down. But don’t renounce the pleasure of the music for the obscurity of the words. Rather, take your time. Don’t discard the bard for trivial tunes. By all means, use good books to prepare for the great books, but make sure the good books are good.
Which brings me back to my second point: be careful in your selection. Keeping in mind the purpose described above, select books that present models of the virtues to imitate. This does include virtuous characters who overcome evil, but it also includes virtuous writers who overcome the evil of sloth, self-indulgence, or greed to produce excellent art. Read texts that are beautiful and noble. Prefer stories that have been refined by time (Homer, fairytales, and fables are classic examples of such texts). Present tales that fill children’s imaginations with metaphors: fairies, elves, hobbits, wizards, knights, damsels in distress, saviors, princesses, beasts, and transformations. Children interpret life through these metaphors (so do adults), so when the metaphors are unreliable (like many modern pictures) or absent, they interpret life amiss.
Classical educators and students also read literature differently. To begin with, the classical student reads texts rather than merely reading about them. It is the text and the ideas contained in the text that the student focuses on. He reads intensively and repeatedly. He explores the form as well as the matter of the text. He criticizes everything he reads in light of the single dominating law of propriety–are the form, language, plot, characters, settings, motifs, etc. appropriate to the idea expressed? This is simply another way of asking whether the artist was successful. The noblest ideas need the noblest expression. When students contemplate such noble ideas in a noble form, they are ennobled.
To achieve this, classical educators differ in their approach to teaching literature. They use the didactic and Socratic approaches described in last issue’s article. Note that both approaches train the mind to think about ideas, one through contemplating models (didactic) and the other through exploring one’s opinions on the subject of the given text (Socratic).
By clarifying your purpose, deliberating over your materials, reading contemplatively, and teaching intentionally, you enable literature to fulfill its function as what Charles Grosvenor Osgood once called “means of grace.” Feed those souls.


 



 
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CALL AND LITERATURE 3

Literature means writing in three genres: prose fiction, poetry, and drama. Literature studied in college is considered humanity’s highest level of writing. It is because this literature draws on the most intensely felt creativity of the writer and on the keenest sensibilities and understanding of the readers (Voss 1992).

Colleges require lots of writings and these vary both in amount and diversity. Some assignments may be relatively straightforward and similar to things students have written before, such as lab report. Other kinds of assignments such as problem solving report, critical essays, briefs, design papers, case studies, to name just a few, require more than they have encountered.
Writing about literature, indeed, involves the understanding of what lies beyond paragraphs. Students need to critically read the story before writing their own critical analysis. Voss said that critical quality of a writing includes at least three characteristics:
  1. College writing requires students to do not only locate and report information but also evaluate it. Critical writing involves critical reading.
  2. Students are expected to make judgments. Evaluate some information should be supported by recommendation or solution.
  3. Students are expected to be both more thorough and more precise. To do this, students need to have more than one piece of evidence and information, to use more than one source, to look at things more than one way. College writing needs a more mature perspective on the subject. (1992:44–45)
Scope and aim
This paper limits only for writing about prose fiction in the forms of short story or novel. My purpose of writing this paper is to provide guidance in teaching critical writing about literature since in collegiate study, students are expected not only to read literature but to analyze it critically and write the result of this analytical analysis.
Theoretical background
Theme
Many good prose fictions appeal to our love of narration. They repay our attention in a good tale of adventure, love, or conflict. Often a short story or a novel will leave us with a dominant impression which is the main idea this work communicates to us. This is called theme of the story.
Sometime the theme is fairly easy to discern. However, some great works do not present an obvious point. Instead, the students as readers have to read closely, analytically, and imaginatively to discern a point.
Characteristics of prose fiction
Fiction involves narrative and therefore exhibits characteristics that can be isolated and considered separately. Plot, characterization, conflict and point of view are the main characteristics of prose fiction.
Plot in a story is the sequence of events. It includes what, when, and why things happen. It might be sequence of time or cause and effect.
Characterization provides the people of the story, including main, central opposing and supporting characters. There are major and minor characters. Characters may be also classified into flat or round, and static or developing characters.
Conflict gives life to the story. It generates plot and brings characterization into focus through actions. It presents problems to be solved and may take the form of person versus person, person versus environment, and person versus self.
Point of view is the point from which a story is told.  Third person omniscient means the writer is located outside the story and tells not only what happens but also what selected characters are thinking. Third person limited means the writer limits what he/she can see. First person means the writer is inside the story. He/she is the participant of the story. The last point of view is the most difficult because the narrator tells only what characters say. There is no interpretation.
Rich language
By rich language it is meant the word choices. It is the diction the writer chooses to tell the story. This language is significant and contributes to the theme. Rich language may take the form of symbolism and imagery (Voss 1992).
Teaching writing procedures
I propose to teach this writing critically about literature by combining two approaches: product and process approach. Bringing together the best of these two approaches, we aim to build bridges between reading and writing. We guide students through reader response, close analysis, and critical thinking and relate this to writing by giving students practice in observing the techniques of real writers at work such as writing multiple drafts, collaborating, and revising critically.
There are some skills need to be taught concerning writing prose: language use, mechanical skills, treatment of content, stylistic skills, and judgment skills (Heaton 1989). The first two skills (language use and mechanical skills) should be a review of what they have studied earlier. The focus of teaching critical writing about literature is on the rest (content, stylistic and judgment skills).
Pre-writing
Before asking students to write about literature, we need to remind them the context and content of their writing (Tribble 1997). It means they should understand what the purpose of the text and whom they are writing for. This very first step involves some activity that is called planning (Hedge 2002) or thinking (Voss 1992, Tribble 1997).
In teaching writing about literature, we may set this pre-writing activity in the form of discussion about the work, tapping the students’ background knowledge. This schematic knowledge is important to help them read the work. The teacher may act as the target reader for the students’ writing.
Next step is what we call as generating, focusing, and structuring (White and Arndt 1991, cited by Tribble 1997). Generating helps the students to find what they want to write. Discussion and sharing their experiences relating to a particular work may lead to motivation in writing. Focusing helps the students to prioritize what they want to write. Structuring activity will help the students to organize their writing. In this stage, students have to conceptualize what they have in mind. Brainstorming and mind mapping are the commonest way in doing so.
Composing and drafting
To write critically one needs to read critically. Composing and drafting in writing about literature may be done by reviewing the guided questions for critical analysis. See the following guided questions.
1. Setting.
It refers to when and where the story takes place. It includes the physical surroundings of the story. What details of the setting do you find in the story? Remember that details may involve details about the time period of the story and details about situation, for example the valley, the fog, and isolation of the place.
2. Plot
What actually happened in the story? State the lone of development. Which scene would you call most important and why?
3. Characterization
How many characters are there? Who are they and how important are they? What are their motives, attitudes and mindsets?
4. Point of view
Which point of view does the author use? What advantages would the author get from using this point of view? How would the story differ if it is written in different point of views? Which is the best?
5. Language
How do we know there is symbolic language in the story? What do they symbolize?
6. Theme
If you were assigned to make statement of the point of the story, what would the statement be?
Revising and editing
In this stage, teacher has to make sure that the students understand that good writers tend to get the content right first and leave details until later (Hedge 1988, cited by Tribble 1997). In revising, students as writers should get the things right, involving the choice of vocabulary and expression. In editing, they work with spelling, punctuation and grammar.

Testing
There will be the final test for this writing class but it would only share 30% of total score. The rest of 70% will be from daily activity. It includes in-class activity or writing assignments.
The tasks in this final test would be those they have ever encounter before. The task may vary but all lead to writing skill. As stated by Hughes (2003) that using direct testing is one of the ways to achieve beneficial backwash from a test.
Scoring
Analytical marking scheme is used for this classroom evaluation since it enables students to home in on weaknesses and to capitalize on their strengths (Brown 2004, Heaton 1989). This marking scheme is closer to classroom instruction than to formal testing. Complete analytical marking scheme I use is cited from Brown (2004) with the weighing of my own.
On-going assessment is done for fairness’ sake. It may be both at the initial stage and at the later stage of composing. Assessment at the initial stage involves commenting on the more global error whereas that at the later stage of composing focuses on the local error (Brown 2004). Teacher should be careful in providing this comment because over-correction at an early stage can be disheartening and de-motivating (Field 1999).
Feedback would be given to accompany the given score to achieve beneficial backwash of the test. In this case, teacher should not abandon either to providing their own feedback or giving a chance for peer feedback (Ferris 2003). Teacher’s feedback plays great role here and Sugita (2006) shows that the feedback in imperative comment leads to more substantive changes with positive effect. Peer feedback is also crucial because the potentially high level of interaction between one student as writer and other(s) as reader(s) would possibly result in a more sympathetic feedback than that of their more distant and judgmental teacher (Rollinson 2005).
Using computer
The basic writing tool provided by the computer is a word processor. Using word processor in teaching writing may advise some advantages. This technology lets the students to do the revision more quickly and easily. The ease with which words, phrases, clauses, and sentences can be added, deleted, or moved suggests that it may function as a macro-level revision tool (Pennington 2003). And because writing is a never-ending revision process, it opens them the way of becoming good writers. With its spellchecker, word processor makes the students easier to find mistakes in spelling. Word processor also gives opportunity to present the product (writing) in a good-looking way (Voss 1992). Word processor removes the problems of poor handwriting that some students suffer from (Harmer 2001, Hedge 2002).
Computer also affects the stages in writing process. Planning becomes more of the later stage instead of beginning activity because students who use computer may be writing while they are planning (Hass 1989, cited by Pennington 2003).
Conclusion
Writing should be taught as a process of discovery of something beyond the reading material, in this case, fiction prose. It implies that revision becomes the main focus of the course and the teacher intervenes to guide the students through the process. Related to critical thinking, students should be able to review the text (story) without any feeling that they have to agree to it. Even when they disagree, they are able to write it in a mature way, putting reason rather than emotion. (by Utami Utar)
Reference
Brown, H. Douglas. 2004. Language Assessment. Principles and Classroom Practices. New York: Pearson Education Inc.
Ferris, Dana. 2003. “Responding to writing”. In Exploring the Dynamics of Second Language Writing. (Barbara Kroll, ed.). Cambridge: Cambridge University Press
Field, Kit. 1999. “Developing productive language skills-speaking and writing”. In Teaching Modern Foreign Languages at Advanced Level. (Norbert Pachler, ed.). London: Routledge
Harmer, Jeremy. 2001. The Practice of English Language Teaching. Essex: Pearson Education Limited
Heaton, J. Brian. 1989. Writing English Language Tests. New York: Longman Inc
Hedge, Tricia. 2002. Teaching and Learning in the Language Classroom. Oxford: Oxford University Press
Hughes, Arthur. 2003. Testing for Language Teachers. Cambridge: Cambridge University Press
Pennington, Martha C. 2003. “The impact of the computer in the second language writing”. In Exploring the Dynamics of Second Language Writing. (Barbara Kroll, ed.). Cambridge: Cambridge University Press
Rollinson, Paul. 2005. “Using peer feedback in the ESL writing class”. In ELT Journal Volume 59/ 1 January © Oxford University Press
Sugita, Yoshihito. 2006. “The impact of teacher’s comment types on students’ revision”. In ELT Journal. Volume 60/1 January © Oxford University Press
Tribble, Christopher. 1997. Writing. Oxford: Oxford University Press
Voss, Ralph F. and Michael L. Keene. 1992. The Heath Guide to College Writing. Lexington, Massachusetts: D.C. Heath and Company

CALL AND LITERATURE 4


THINK
articles 

Learning English through Children's literature
This article is about the British Council's Young Learners Centre in Paris and how they use children's literature in their teaching of English
  • The role of stories and storytelling in language teaching
  • Selecting story books
  • Pupil responses
  • Personal and professional development of teachers
  • Other support materials
  • Books referred to in this article

The role of stories and storytelling in language teaching
Once upon a time and not so very long ago in the capital city of France, a teaching centre for little children and not so little children was opened. One little child and then two and then three and then many, many more came along. And so our story unfolds ….. There was a little red hen, a meerkat in trouble, a brown bear, a black elephant and a white elephant, a very hungry caterpillar, Spot the dog, a clever tortoise, a big, roaring, yellow, whiskery lion, a kangaroo from Woolloomooloo and many more.
These are just some of the colourful characters from children's literature who have helped children aged 5 - 10 attending holiday classes at the British Council's Young Learners Centre in Paris learn English. These weekly courses take place each afternoon for two hours.

The educational value of using stories and the technique of storytelling has always been undisputed throughout the world. Now more and more English as a foreign language (EFL) teachers of young learners are using carefully selected stories from the world of children's literature because they have become more familiar with an acquisition-based methodology and because stories comply to the major objectives in most countries for foreign language teaching to young learners: linguistic, psychological, cognitive, social and cultural. EFL teachers use stories to supplement their core materials or to create self-contained units of work that constitute mini-syllabuses. In this way, a story provides the starting point and rich context for developing a wide variety of related language and learning activities involving children personally, creatively and actively in an all round whole curriculum approach (see Ellis and Brewster 1991 and 2002).
Selecting storybooks
Storybooks are carefully selected from the world of authentic children's literature mainly from the lists of British publishers. We look for stories that have gained an international reputation and contain rich and authentic examples of English, as well as literary devices commonly found in children's literature such as repetition and cumulative content, rhyme, onomatopoeia, humour and suspense, etc; and which allow us to implement a story-based methodology structured around the familiar three stages of pre, while and post storytelling. We look for stories with high quality and varied illustrative styles and illustrations which synchronise with the text to support children's understanding and to develop their visual literacy.We look for stories that take place in settings other than western and urban and address issues such as citizenship and multicultural education in order to develop intercultural awareness; stories that develop social skills and emotional development and stories that allow links to be made with other subjects in the curriculum in order to build on children's general knowledge, reinforce concepts and help them learn how to learn. Finally, we look for stories that offer a concrete outcome in the form of dramatization, related songs and rhymes, book-making, making a game, a quiz/competition, poster-design, project work, etc.

Pupil responses
The educational gains from using authentic children's literature are very rich indeed as reflected by pupils' personal response to the stories. Younger children (5 - 7 year-olds) respond in pictorial form and older pupils complete a more detailed written evaluation focussing on genre, characters, setting, illustrations, what they liked about the story and what they learnt from the story. Here are some examples in response to the question, What did I learn from the story?
  • The Pied Piper: We must keep our promises and not be greedy.
  • Tusk Tusk (a story about how elephants became grey and tolerance): I learnt about tolerance and racism. I learnt to know how to respect others because we can't all be the same. You have to love each other.
  • The Very Hungry Caterpillar: I learned the life cycle of the butterfly
  • Meerkat in Trouble: We mustn't disobey. You have to be obedient to your parents.
  • The Little Red Hen: You must help people.

Personal and professional development of the teachers
Implementing a story-based approach requires a great deal of energy, creativity and excellent classroom management skills and flexibility from teachers. In addition, on the final afternoon of the course children present their work to parents, which provides an ideal way of strengthening our parent/teacher relationships. This can, however, put teachers under a certain amount of strain as the performance of their pupils is often equated with their performance as teachers. As one teacher said it keeps you on your toes! In other words, it maintains high quality language teaching. Teacher's critical appraisal, resourcefulness and confidence develop greatly:


  • I am now able to appraise a prospective storybook for use in class very quickly and decide if it's suitable and for what age group it could be used with.
  • I am able to see the potential of a particular book and can create the support material necessary and that has links to other curriculum areas.
  • Using storybooks has been an enjoyable experience and has given me another approach to teaching English to children that is authentic and interactive where both teacher and students learn something new!
  • I have developed my storytelling techniques and ways of making authentic language accessible to foreign language students and techniques for creating worksheets and activities for exploiting the language in the story.
  • The choice of the storybook is very important; if a teacher is enthusiastic, often this is contagious.
Initially some teachers find it difficult to imagine how they can use a storybook for up to 6 - 10 hours. However, once they have used children's literature they often find it difficult to return to the more conventional specifically written EFL materials which tend to remain at the mundane and utilitarian level of basic dialogues and daily activities. Storybooks address universal themes and allow children to play with ideas and feelings and think about important issues.

Ellis, G., Brewster, J. 1991. The Storytelling Handbook for Primary Teachers.Penguin Longman
Ellis, G., Brewster, J. 2002 (forthcoming) Tell it Again! The New Storytelling Handbook for Primary Teachers. Penguin Longman

Other support materials
Other teacher support materials for using storybooks can be found from
Read and Respond series, Scholastic: www.scholastic.co.uk
Literature Units from Teacher Created Materials: www.teachercreated.com
Downloadable guidelines and worksheets from Penguin Readers: www.penguinreaders.com
Downloadable lesson notes and activities from Puffin Books: www.puffin.co.uk
Reviews and ideas for teachers and parents: www.realbooks.co.uk

Books referred to in this article
Stories referred to:
The Little Red Hen: retold and illustrated by Michael Foreman, Red Fox 1999
Meerkat in Trouble: Allan Frewin Jones, Illustrated by Adrienne Kennaway,Happy Cat Books 1998
Brown Bear, Brown Bear, What do you see? Bill Martin, Jr., Illustrated by Eric Carle, Puffin Books 1995
Tusk Tusk: David McKee, Red Fox, 1978
The Very Hungry Caterpillar: Eric Carle, Puffin Books, 1970
Where's Spot? Eric Hill, Puffin Books,
The Clever Tortoise: a traditional story from West Africa (see Ellis and Brewster 2002)
A Lion in the Meadow: Margaret Mahy, Illustrated by Jenny Williams, Puffin Books
The Kangaroo from Woolloomooloo: a story from Australia (see Ellis and Brewster 2002)
The Pied Piper: traditional
Gail Ellis, Head of Young Learners Centre, The British Council, Paris






CALL AND LITERATURE 5

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Volume 34
Professional Teaching Articles
November 2009
Article 2

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Title
Nature of Discussions in a Foreign Language Literature Class

Author
Dogan Yuksel
Kocaeli University, Turkey

Bio
Dr. Dogan Yuksel, currently an Assistant Professor at Kocaeli University's Department of Foreign Languages, teaches courses on ELT Research and Methodology in the English Education program. He received his PhD from Florida State University's Multilingual Multicultural Education program in 2007. His research interests include classroom discourse, literary discussions, and Vygotskyan Sociocultural Theory. His email address is doganyuksel@yahoo.com
Abstract
Use of literature in foreign language teaching has been viewed as one of the traditional ways of teaching for centuries. However, the research about the use of literature is quite limited compared to the popularity of its use. In this study, I analyzed the discursive structure of classroom talk both academically and socially to identify the nature of literary discussions. A foreign language literature class in Turkey was observed for one semester and qualitative analyses were conducted following a discourse analysis method. The findings of the study revealed mixed results. Possible reasons of the findings were explained with educational implications.

Key Words: Use of literature, classroom discourse, teacher questions, EFL

Introduction
Use of literature in foreign and second language teaching is taken for granted for many teachers and researchers. However, how literature is studied and nature of classroom discourse in second/foreign language literature classrooms have not been examined thoroughly (Donato & Brooks, 2004; Kim, 2004; Mantero, 2001). Studies that have investigated what is happening in literature classes are very few in number. As it is often articulated, previous research on the use of literature in second and foreign language teaching has focused mostly on the reading comprehension of cultural texts (Donato & Brooks, 2004), and very few studies have examined the verbal interactions of second/foreign language learners in literature discussions (Kim, 2004). A review of previous studies and books that are devoted to the relationship between literature and language learning demonstrate that the study of literature seems to entail mostly receptive skills: for the most part reading and literacy development, and only sometimes writing or speaking (Akyel & Yalcin, 1990; Carter & Long, 1991; Chen, 2006; Cho & Krashen 1994; Ghosn, 2002; Lao & Krashen, 2000; Lazar, 1993, 1994; Liaw, 2001; McKay, 1982; Parkinson & Thomas, 2000; Shanahan; 1997; Widdowson, 1984).

Use of Literature in Foreign Language Teaching
Most of the studies that examined the relationship between literature and language teaching have articulated four benefits of literature: (1) literature helps developing linguistic knowledge both on usage and use level (Lazar, 1994; McKay, 1982; Parkinson & Thomas, 2000; Widdowson, 1984), (2) literature may enhance students’ motivation (Akyel & Yalcin, 1990; Ghosn, 2002; Lazar, 1993; McKay, 1982; Parkinson & Thomas, 2000), (3) literature has the potential to increase learners’ understanding of the target culture (Akyel & Yalcin, 1990; Ghosn, 2002; Lazar, 1993, 1994; McKay, 1982; Parkinson & Thomas 2000; Shanahan; 1997), (4) literature may help develop skills of cognitive and critical thinking (Ghosn, 2002, Lazar, 1993; Parkinson & Thomas, 2000). Most of these benefits are based on the experiences of teachers and researchers who had substantial background in the teaching of literature; however, none of them is supported by research that is coming from real classroom settings.
Motivated from the lack of research on the nature of discussions in literature classrooms, this study examined the nature of literary discussions in an advanced level English literature class in a Turkish EFL (English as a Foreign Language) setting. The study focused on the discursive features of a foreign language literature course offered at a Turkish university. The discursive structure of classroom talk was analyzed both academically and socially to identify the nature of the literary discussions. Students’ perceptions of the class and on-going discourse, and their views about their roles were investigated as well. In other words, both academic and social aspects of the classroom discourse were addressed to increase the understanding of ‘what-is-going-on’ in an advanced level foreign language literature class.
By conducting this study, the researcher aimed to contribute to the literature by providing naturalistic, uncontrolled data about the nature of literary discussions in an advanced level English literature class at a Turkish university. In other words, by analyzing the nature of whole group discussions in a college level foreign language literature class, this study provided empirical data regarding the nature of discussions in a literature class, which in turn might offer some insights about the validity of the claim that the study of literature in the collegiate curriculum is useful in developing foreign language proficiency.
The discursive structure of the classroom talk, i.e., how the discussion evolves, may help us see the major significant points in a discussion, namely how the discussion is constructed, who starts it, who finalizes it and who contributes to it. Characteristics of discussions may further shed some light on the perception of knowledge and schooling by the teachers and students. Many previous studies demonstrate that most of the schooling in many settings have been built on the traditional IRE (Initiation- Response- Evaluation) routine, which may indicate that, among other things, the teacher have the ultimate control in the classroom (Gutierrez, 1994; Lemke, 1990; Nystrand, 1997). On the other hand, open-ended discussions are less prescribed, including less teacher control, and may be a sign of teachers’ interest in students’ ideas and comments (Nystrand, 1997). The significance of the nature of discussions has been acknowledged by many researchers who deal with classroom discourse in different fields of education (Cazden, 2001; Gutierrez, 1994; Lemke, 1990; Nystrand, 1997; Walsh, 2006; Wells, 1999b).
The following research questions guided this study:

1- What is the nature of literary discussions in an advanced level literature course in a Turkish EFL setting based on the analyses of the discursive structure of the classroom talk?
2- What do students think about this specific literature class and their roles in this class?

Methodological Framework
The research questions influenced the choice of the methodological framework, the social interactionist perspective (Green, 1983; Green & Wallat, 1981; Mehan, 1979, 1998) that provided a comprehensive outlook about the classroom discourse. A social interactionist perspective to teaching focuses on the discourse and interaction in the classroom, and uses a discourse analysis framework to analyze the classroom interaction. In his seminal book Learning Lessons, published in 1979, Mehan pointed out the significance of studying interaction in the classroom context by stating “because educational facts are constituted in interaction, we need to study interaction in educational contexts… in order to understand the nature of schooling” (p. 6). After more than 25 years, as Wells (2005) states, many people who study classroom learning and teaching today agree that “the nature of the interaction that takes place in class is one of the most significant influences on the quality of student learning” (p. 1).
From this perspective, a second or foreign language classroom is not only an academic environment, but also it is a social context (Cazden, 2001). Classroom language is analyzed as it pertains to two different functions in classroom life: (a) the communication of propositional information, which is also called as referential, cognitive or ideational function, and (b) the establishment and maintenance of social relationship and identity that refers to the social and affective features of language (Cazden, 2001).

Data Collection Procedures
Following Harklau (2005), the present study can be defined as ethnographic research that involves a case study, which is quite common in qualitative research (Ellis & Barkhuizen, 2005). Natural and systematic audio and video recordings of the classroom sessions for nine weeks (a whole semester), field notes taken as a non-participant observer during this time, and semi-structured interviews with the instructor, students, and the administrators of the program constituted the primary data sources. Discourse analysis was used as a major research tool to examine the nature of literary discussions. The main aim of using multiple data collection techniques was to get various perspectives of the same classroom phenomenon to increase the credibility of the study. Another concern of the study was to get the insider’s perspective and understanding of the classroom interaction.

Data Analysis

Discourse analysis technique was used while analyzing the data. The following steps were followed prior to data analysis: (i) transcription of the audio and video recordings, (ii) data indexing, (iii) data reduction, and (iv) data coding. Data transcription process involved the transcription of the video and audio-recordings in their entirety. Data indexing was performed by describing the context in which data occurred, in other words, where and when the activity took place in the study. Each teacher-fronted whole group discussion was indexed by providing the context of when and where it took place. The description of the topic, pseudonyms for each participant, and major activities of the lesson in each episode were included in this session as well. After indexing the relevant parts, data was reduced into smaller and manageable chunks of information (episodes) according to the research questions. Finally, the data was coded using a top-down, deductive coding procedure where the analyst pinpointed a set of codes before engagement with data began. The four constructs were already identified by utilizing the findings of the previous literature and theoretical framework.

Interrater Reliability

After I identified 69 episodes of teacher-fronted text-based discussion, and coded them according to the research constructs, two external reviewers were asked to re-code some parts of the data to increase the reliability of the findings. External raters were familiar with classroom discourse research and each coded 10% of the data, which was randomly selected. For the part of the study that was discussed in this paper, external raters coded the level of learner utterances. I prepared a training manual that included the definitions of each level of learner utterances together with at least two examples. After the final codings, there was 98% interrater reliability between the researcher and the first rater, and 97% interrater reliability between the researcher and the second rater.
Context of the Research

The research was conducted in the Drama Analysis and Teaching class offered at the sixth semester of English Education program at a major Turkish University, during the spring semester of 2006, which started on February 27th and ended on June 16th. The class met regularly on Tuesdays between 8:30 A.M. and 11:30 A.M. It had three hours of class with two breaks for ten minutes after each hour. The participants of this study were advanced level English Education majors attending a Turkish public university. I was particularly interested in advanced level learners, because they had adequate English proficiency and the necessary background in literature to carry out the classroom discussions in the target language. The instructor of the course, Dr. Anne, held a PhD in English Literature and had been teaching the same course for more than 10 years. The background survey indicated that the participants ranged in age from 20 to 22, and they had been studying English for 5 to 12 years. Pseudonyms were used to protect the identities of the participants of the study.
During videorecordings, I positioned the camcorder I used to the right corner of the classroom, and kept it at the same place during the whole semester. I sat next to the camcorder, and remained silent as much as I could. My main concern was being as invisible as possible, and I did it as best as I could, even though I needed to talk in the classroom from time to time.

Figure 1. Layout of the classroom.

Findings
Discursive Structure of Classroom Talk

During nine weeks of recordings, I identified 69 whole group teacher fronted text-based discussions. The teacher fronted text-based discussions, i.e., the episodes, ranged between one minute and ten seconds and twenty-six minutes and twelve in duration. In each of these episodes, the focus was the text that had been read, and the teacher asked at least two questions. After each text-based discussion was identified, they were coded based on (a) initiation move of each episode, (b) major patterns of the moves (e.g., initiation, response, evaluation), (c) level of the learner utterances (i.e., word, phrase, sentence, or discourse), and (d) finalization move of each episode.
The average number of episodes per week was 7.6. The first week of the recordings had fourteen episodes, and eighth week had only four. Time spent on discussions in each week varied between 47 and 104 minutes. The average time spent on discussion was 77 minutes. Week 3 had the shortest time with 47 minutes, on the other hand in Week 5, 104 minutes of class time was spent on discussions. The distribution of the episodes in each week is provided in Table 1.

Table 1

The Number of Episodes in Each Week

Weeks


1


2


3


4


5


6


7


8


9


Total

1st Hour


5


3


1


2


2


2


3


1


1


20

2nd Hour


5


3


6


2


2


2


3


2


2


27

3rd Hour


4


2


1


2


5


2


3


1


2


22

Total


14


8


8


6


9


6


9


4


5


69

Initiation. While examining the initiation move of each episode, I focused on two main points: (a) Who initiated the discourse, and (b) how it was initiated. Out of 69 episodes, 67 were initiated by the teacher, and only two were initiated by the students (episode 1.2.3 and 2.2.1). Throughout the initiation move the dominance and control of the teacher was strongly felt: 97% of all episodes were initiated by the teacher. It was observed that 59 of 67 teacher initiation moves included questions (88 %), and only eight of them were statements (12%). When the questions in the initiation move were further analyzed, it was found that 34% (n=24) of these questions were test questions, and 48% (n=34) of them were authentic questions. Five episodes involved the use of both types of questions (please check Note 1 for more information about teacher questions).

Major patterns of discussion. Traditional IRE, extended IRE and open-ended discussions constituted three major patterns of moves. Out of these three, traditional IRE sequences dominated the discussions. The main features of the traditional IRE pattern in the Drama Analysis and Teaching class were as follows: a) initiation was a teacher move, b) the teacher mostly used questions in the initiation move, c) the teacher usually evaluated every student response, d) the students’ responses tended to be short, and e) the teacher’s questioning strategy was well balanced.
As I mentioned, Dr. Anne initiated the discussions with a question most of the times. In fact, she employed questions quite frequently during the whole nine weeks. Following comments of Dr. Anne might help us better understand her thoughts about questioning sequences in the classroom and what students think about Dr. Anne’s questioning practices.

“You see- questions are everywhere in the exam, in the afterlife, we are busy with questions.” - Dr. Anne (5.3.4)

“ Why? I am asking ‘why’ [questions] (++) teachers always ask ‘why question’ because I want to be sure whether you know or not … We should ask ‘why [questions]’ to obtain (++) more knowledge. Why are we asking ‘why’?”
- Dr. Anne (8.2.2)
“ I really like Dr. Anne’s questions. They are very good. Also Dr. Anne wants us to ask questions during the discussions but we cannot ask as good questions as she does” Esra, Second Interview

“Dr. Anne’s questions are challenging and lets us to think more on the plays we read. Most of the times, they are open for different interpretations and they allow us to present different perspectives on the topic.” - Fatih, Second Interview.

The main difference between a traditional IRE sequence and an extended IRE sequence was in the response move of the students that lasted 3-4 turns and included teacher comments. In other words, during extensive IRE sequences, the teacher evaluated the student comments immediately, however she did not finish the conversation at that point. Instead she gave some more time to students, which helped them elaborate their ideas. I have provided an example of an Extended IRE sequence (please check Note 2 for the transcription conventions used in this study).

Excerpt 1 An Example of an Extended IRE Sequence (6.3.1)

198

T


Yes, flower he even knows he remembers the (++) Hakan (++) yes! Bill and Tom similarities differences the relations? (++++) both are (++) lonely. [INITIATION- TEACHER QUESTION]

199


Ha


Both are deprived of[ [RESPONSE]

200


T


]Very good [EVALUATION]

201


Ha


Male dominant features [RESPONSE]

202


T


Both are deprives of fathers, good fathers [COMMENT]

203


Ha


No, male features I said [RESPONSE- ELABORATION]

204


T


Hmm (++) yes, but Bill at least pretends [EVALUATION- COMMENT]

205


Ha


He was like Tom in his seventeen’s. [RESPONSE- ELABORATION]

206


T


Very good! Wonderful! Thank you! Yes please Feride [EVALUATION- INITATITON]

During open-ended discussions, the teacher asked fewer questions and more importantly, she did not immediately evaluate each student response. Among all discussion patterns, this was the closest to the dialogical discussions as discussed by Nystrand (1997), Gutierrez (1994) and Skidmore (2000). Students acted freely during this time, and made comments one after the other without waiting for the teacher’s assignment. I summarized the basic features of each type of discourse in Table 2.

Table 2

Overview of the Basic Features of Each Type of Discourse




Number of Teacher Questions


Student Involvement


Initiation/
Finalization


Teacher
Evaluation


Teacher Control

Traditional
IRE


Many


Low


Teacher


Frequent


Tight

Extended IRE


Balanced


Mediocre


Teacher


Occasional


Mediocre

Open-ended


Few


High


Teacher


Little


Loose

Level of student talk. Analysis of level of student talk revealed that students found chances to speak in all levels during the discussions in the Drama Analysis and Teaching class (see Table 3 for details). The majority of the student utterances were sentence level utterances (42%). The scarcity of discourse level student talk was obvious throughout the semester in almost every week.

Table 3

Number and Percentages of Level of Learner Utterances for Each Week

Week


Word Level


Phrase Level


Sentence Level


Discourse Level


Total

No.


Ratio


No.


Ratio


No.


Ratio


No.


Ratio

1


183


37 %


164


34 %


137


28 %


4


1 %


488

2


157


33 %


146


31 %


164


34 %


8


2 %


475

3


39


23 %


56


33 %


70


41 %


5


3 %


170

4


102


24 %


105


24 %


220


51 %


4


1 %


431

5


100


25 %


110


28 %


177


45 %


7


2 %


394

6


129


28 %


124


27 %


194


43 %


7


2 %


454

7


63


18 %


96


28 %


178


52 %


8


2 %


345

8


52


20 %


52


20 %


143


57 %


4


2 %


251

9


108


34 %


95


29 %


117


36 %


4


1 %


324

TOTAL


933


28 %


948


28 %


1400


42 %


51


2 %


3332

Sentence level talk was higher than the others in all weeks but Week One. The uneasiness in students’ talk was quite evident when the classroom discourse in the first week was analyzed. As it can be seen in Excerpt 2, which is taken from the second episode of second hour in the first week, students spoke only one or two words, and did not seem eager to elaborate their ideas. Therefore, the teacher needed to talk more and assumed the roles of both teacher and students during the discussions. For the first week, in the field notes, I wrote that the students did not seem natural and were highly affected by the presence of the camera and the researcher.

Excerpt 2

An Example of Dominance of Word Level Talk from the First Week

21


T


Wonderful she hides herself very good. What kind of people hide themselves? Do you do it in the classroom? For example in the classroom Selma does it, you do it, Sevide.

22


Sev


Introvert

23


T


Very good, introvert people generally

24


Sev


Shy

25


T


Because they are so fragile that they are scared of being hurt (+) being err (++) hurt

26


Sev


Harmed

27


T


Being offended

28


Oz


Maybe

29


T


Yes that’s right. They don’t want the others fault with them that’s why they keep away.

30


S3


Silence

31


T


They keep themselves away they are quiet so they don’t give the other the opportunity to criticize them, very good.

32


S4


She is afraid of taking risks.

33


T


Wonderful and introvert people, people like Dorothy are afraid of taking risk but you should take risk Sevide [Everybody laughs] wonderful. Thank you and go on.

Finalization. In the Drama Analysis and Teaching class,98% of all episodes were finalized by the teacher. The final turns of the episodes included one or more of these moves: Repetition (26%), evaluation (72%), question (16%), paraphrase (44%), comment (35%). Some of the teacher utterances in the final turn of the episode were quite decisive and signaled the end of the episode definitely. These utterances did not leave any room for further elaboration to the students. These utterances revealed the ultimate teacher control over the classroom discourse. Some examples of decisive teacher statement in the final turn of the episodes are provided in Table 4.

Table 4

Some of the Decisive Teacher Statements in the Final Turn

We finish this one and then the other one, page thirteen please.
Ok, the other page.
Ok this is the end of the poem.
Thank you and then the day is over.
We’ll see each other in the next hour.
So, we finished. Yes.

Students’ Perceptions about the Course

The analysis of the classroom talk during literary discussions revealed some important features of the class I observed. To gain a deeper understanding and to triangulate the findings, I used the data obtained from teacher and student interviews. Most of the students argued that reading was the main aspect of the Drama Analysis and Teaching class even though more than 60% of the class time was devoted to the literary discussions. This was an interesting finding, which can be related with the general perceptions of language learners and teachers about the place of literature in foreign and second language learning. Especially following comments of the students about how they perceived the literature class reflected the understanding of literature classes in many parts of the world by many teachers and researchers.

“Literature courses are important because they make us read, and also we learn the culture of other countries while reading the works of literature”
- Buket, Second Interview
“My English improved overall during [in this course] this semester, however I benefited a lot for my reading skills, and vocabulary learning” - Fatih, Second Interview
“I believe Drama course is all about understanding and interpreting what you
read.” - Kadir, Second Interview

Perceptions of Student Roles

Most of the roles/duties the teacher and students discussed during the interviews were traditional student roles. Answering teacher questions, learning what Dr. Anne was trying to teach, coming to class prepared and passing the exam seemed like they made students passive receivers of the information.

“Main student duties are answering teacher questions and participating in classroom discussions” - Dr. Anne, Final Interview
“Our main role is learning some content information from this course as we are supposed to learn. Sometimes, Dr. Anne asks us ‘What did you learn from this week?’ and then we discuss what we assume we learned. Then she corrects some points, and makes us focus on information that we need.” - Buket, Second Interview
“Hmm, what are student roles? They should study, they should come to class prepared.” - Fatih, Second Interview
“One of the things that is important is passing this course. I see some of the students jotting down notes all the time, because they think about the exam, they don’t participate in discussion, but they listen everything carefully”
- Kadir, Second Interview

Another important duty/role of the students was attending the classes. In many university settings in Turkey, attendance is voluntary and many professors do not take the roll. However, in Dr. Anne’s class it was compulsory, and not attending the classes would affect students’ final grade. Attending the class was also important for the exams. The discussion of the student roles in the interviews emphasized the traditional roles in the classroom. However, when I analyzed the discourse in the classroom, there were some instances where students moved beyond their traditional roles and initiated new topics, asked questions, changed the flow of the conversation and challenged teacher’s authority.

Discussion of the Findings
The analysis of each construct yielded some mixed implications. I observed that most of the findings were not parallel. In other words, there were instances where students used language in meaningful situations and engaged in co-construction of information and meaning (Wells, 1999a) and some others where most of the talk was teacher-dominated and students mostly parroted information from the book, and did not find many chances to elaborate upon their ideas. In a similar vein, sometimes Dr. Anne held tight classroom control, and on some other occasions, she allowed the students to take control and diverge from the flow of prescribed conversation. In my opinion, the gist of the discussion in Excerpt 3 might portray the findings of this study succinctly.

Excerpt 3

Classifying People

11


T


… err (++) unfortunately people like Dorothy always classify people according to extreme points. For example in the classroom, are you tall or are you short? Look at yourself. Ok. I’m tall, Mehmet is tall but alright Gokhan is tall.

12


Oz


Hakan is tall

13


T


Aah! Alright Hakan is tall but there are 35 people only four of us are tall. If you classify people as tall or short what happens?

14


Fe


Neither tall or short

15


T


What is this?

16


Es


Sharp distinction

17


T


Wonderful you make sharp distinction but most people are not tall and are not very short. Most people are[

18


Es


]average

19


T


Yes, this is like (++) so then you classify people as here it says whale, whale means huge[

20


Oz


]giant

21


T


or tiny not tiny but little. But that’s not realistic again. In the same way can you classify people and students and teachers good and evil bad? No because I’m not so good but I’m not so bad. Between these two.

22


Es


Prejudices

23


Fa


There is no clear cut.

24


T


Yes, that’s right. They always fit into the gray shade, we call gray area. The things are not black and white but gray.

25


Sa


I think because Dorothy err (++) has some prejudgments.

26


T


That’s right.

27


Sa


About situation, about people she gives decisions

28


T


Wonderful but, unfortunately she always looks at the extreme not the between these two.

Excerpt 3 was taken from the third hour of Week One. Dr. Anne and students were discussing the poem in the book ‘Case of Crushed Petunias’. The excerpt began with Dr. Anne’s question about classifying people in extremes. She pointed out the biases one of the characters, Dorothy, had. In this excerpt, Dr. Anne wanted to show the students that many people in life were neither tall nor short, and neither good nor evil. In fact, according to Dr. Anne, most of the people fitted into the gray shade. In a similar way, when I thought about the findings of this study, I observed that they were neither all promising nor very disappointing. To put it in a better way, some of the findings of this study were encouraging, and they exemplified dialogically-oriented discussions, on the other hand, some others were rather unsatisfactory and implied tightly controlled monologically-oriented discourse where voice of students were silenced.
Based on these findings, it was difficult to claim that ‘literary discussions in the Drama Analysis and Teaching course reached high levels of student engagement and students freely discussed any topic in their minds’, as it was not fair to say ‘the students spoke too little and did not find any chance to elaborate upon their ideas because of tight teacher control’. Overall interpretations of findings were in the gray area as Dr. Anne mentioned. In fact this interpretation was line with Akyel and Yalcin’s (1990) comments about the place of literature in English education in the Turkish context. Based on their study that focused on the state of literature teaching in the English departments of five selected private high schools, Akyel and Yalcin suggested that the Turkish educational system was “wavering between modern and traditional practices” (p. 174). To name a few examples from their study, traditional practices would include teacher centered guided questions, informative background lectures, and/or reading the text aloud or silently. On the other hand, student centered group activities such as debates, discussions or writing activities would be categorized as modern practices.

Educational Implications
From a sociocultural perspective, Gibbons (2006) argues that teacher’s main role in student learning is that of mediation and the fundamental premise of teaching as mediation is “the recognition that both language and content learning depend on the nature of the dialogue between teacher and students” (p. 174). This premise reminds teachers that they should be aware of the discourse in the classroom because discourse as a tool can impede or facilitate the emergence of learning opportunities in many classrooms. A suggestion to the teachers who use literature in their language classrooms would be giving more focus to linguistic structures and creating opportunities for students to use the target language while using/teaching literature. While discussing their results, Donato and Brooks (2004) state that “discussions that take place in literature classes have the potential to incorporate advanced proficiency goals” (p. 195), however, to achieve this goal instructors and students should be aware of and well-prepared for this potential of literary discussions.
Based on the findings of this study, specifically when the level of student utterances is taken into consideration, one can argue that the discussions in this specific literature class did not provide opportunities that would enable students to incorporate advanced level proficiency goals. As we can see in Table 3, most of the discussions in Drama Analysis and Teaching class did not reach to the discourse level, where the students produced sentences one after the other without teacher’s interruption. Possible pedagogical implications drawn from this fact would be (a) asking questions that would produce occasions of dialogical discussions, and (b) creating a classroom atmosphere where students can freely use the target language without teacher’s control and interruption.
Students’ perceptions about literature in general and literature courses in collegiate curriculum in particular might be the focus of another suggestion for teachers and educators. Most of the students in this study viewed literature classes as a part of ‘reading’ courses that were offered throughout their programs of study. In fact, this reflects a global perception of literature classes in many parts of the world by students, teachers, and researchers (Akyel & Yalcin, 1990; Carter & Long, 1991; Cho & Krashen 1994; Lao & Krashen, 2000, among others). This perception of literature might be a big barrier in front of the students (and educators) who can benefit more from the more active and participatory side of literature. The problem can be tackled by emphasizing the utilization of literary texts to improve oral skills of students with the help of techniques such as interpretive role-playing (Kramsch, 1985), critical discussion or debate based on the literary texts (Lazar, 1993), and other conversation activities (Berg, 1993; Martin, 1990).
The findings of this study also revealed that students found many chances to use English in meaningful contexts during the nine weeks of recordings. However, there were only two student-initiated episodes. There are some studies that claim that topics that are initiated by students have a better chance of being claimed to be learned (Slimani, 1989; Troudi, 1994). Particularly, it is argued that “classroom language acquisition is facilitated if the learner is able to nominate and control the topic of a conversation” (Troudi, 1994, p. 246). This argument does not sound plausible if teaching of basic skills to beginner-level learners is considered. However, it might be quite applicable in situations where content is taught to advanced-level learners. Therefore assigning an active role to students in determining the topic and flow of the conversation might result in better results with respect to learning.

Conclusion
The findings of this study, among other things, reiterated the lack of speaking and practice opportunities that literature classes may provide to foreign language learners. This problem, if taken together with the exploration of new ways about using literary texts to create pedagogically effective environments for the development of proficiency (Carter, 2007), might be a good start to think about specific features of literature and literature teaching that might have some influence on the development of second language skills such as speaking.
As it is widely acknowledged, speaking is a major problem in foreign language contexts and learners do not find enough opportunities to develop their speaking skills. Teachers and students often feel frustrated because of the limited opportunities of “speak[ing], read[ing] and writ[ing] meaningfully in English in a learning situation in which there is little of substance worth talking about” (Handscombe, 1994, p. 334). The findings of this study demonstrated that literature classes in the foreign language curriculum would be a venue to provide opportunities for the meaningful use of language in a context while most other interactions were based on some in-class mechanical drills, repetition, and memorization of chunks. However, in order to do that, foreign language literature teachers should be aware of the tool they have and develop the opportunity for discourse accordingly, which remind us, again, of the suggestions of Gibbons (2006) about the mediation role of teachers in the foreign language teaching classrooms.

Notes
1. Detailed analysis of the teacher questions in the Drama Analysis and Teaching class was conducted as well. However, because teacher questions were not the specific focus of this study, further discussion of the topic is not included. You can refer to Yuksel & Yu (2008) for further exploration of this aspect of the classroom discourse.

2. Following transcription conventions are used in this study.

Symbol


Meaning

T


Teacher Turns

Fa, Sev, Fe


Student Turns

S1, S2, S3, S4


Unidentified Student Turns

[ ]


Extra Information

(+)


Pause (number of “+” indicates the seconds)

[
]


Overlapping speech

[Tr.]


Utterances in Turkish


Acknowledgments
I would like to thank Miao Yu, Dr. Deborah Hasson and Dr. Frank B. Brooks for their support and feedback during the preparation of this paper. I am also grateful to the instructor and students of the course for their cooperation and understanding during data collection.

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